Edinburgh Landscape Competition

To help celebrate Edinburgh Living Landscape, an initiative that creates attractive and biodiverse green areas across the city, you are invited to take part in our first photography competition. All you need to do is submit a photo of one of the city’s floral meadows or natural grasslands by 11 September 2015 and you could win some great prizes, including annual membership to the Scottish Wildlife Trust, exclusive prizes from Royal Botanic Gardens Edinburgh, 6 month membership to Edinburgh Leisure, a professional photography session and tickets to the Usher Hall Sunday Classics series. Your photos can by of anything that highlights the beauty of these natural green spaces or how they can be enjoyed.

Entries will be shortlisted by a panel of judges. The finalists will then be put forward for a public vote on the Edinburgh Outdoors facebook page. You can view some of our images and find your nearest Edinburgh Living Landscape site using the map on www.edinburgh.gov.uk/livinglandscape

Download the competition guidelines, including terms and conditions below.

First Prize:

  • Behind the scenes guided tour of the herbarium at Royal Botanic Garden Edinburgh, with an opportunity to digitise, prepare or press specimens.
  • Tickets to International Classics concert at the Usher Hall
  • Annual membership to the Scottish Wildlife Trust

Second Prize:

  • Annual membership to Royal Botanic Garden Edinburgh
  • Entry for 2 people to the glasshouses at Royal Botanic Garden Edinburgh
  • 6 month Edinburgh Leisure pass

Third Prize:

  • 6 month Edinburgh Leisure pass

All shortlisted finalists will be offered the opportunity to take part in a professional photography session. This will involve a 30 minute workshop on photography techniques and 1.5 hour walk through a natural setting to take photos and practice techniques.

ABOUT EDINBURGH LIVING LANDSCAPE

Edinburgh Living Landscape is a partnership project that creates, restores and connects green areas of the city to make attractive and biodiverse landscapes. This means that there have been changes to how some of our outdoors spaces look. The project involves a range of measures such as:

  • The creation of floral meadows
  • Reducing how often some areas of grass are cut, and leaving some areas to grow naturally
  • Allowing natural grassland to thrive
  • Mowing walkways through areas of long grass so they can still be explored and enjoyed.

Seabird Centre info

Award-winning photographer, Tom Langlands, is hosting a Wildlife Photography Workshop at the Seabird Centre and Gosford Estate on Saturday 29 August. The cost for this full day event is £65 – please click on the link below for details. This is a brilliant chance to learn some top tips and have a great day out.

http://seabird.org/what’s-on/photography-workshop/15/190

Also, we have just launched the 10th Scottish Seabird Centre Nature Photography Awards. There are a whole host of categories to enter, including two new categories for our anniversary year. Please click on the link below for details.

http://seabird.org/what’s-on/nature-photography-awards/15/50

Top photo exhibitions on now

At the Scottish National Portrait Gallery, Queen Street, Edinburgh there are three special exhibitions of photographs on now. 44 bus stops nearby. I haven’t seen them yet but my favourite is likely to be Collecting Now which has 9 prints of B&W images by Paul Strand taken in the Outer Hebrides.

On till  6th September

Lee Miller and Picasso                                                          Entry £9/£7 concessions

On till 20th September

Collecting Now                                                                       Entry free

On till 18th October 

Bailey’s Stardust                                                                       Entry £11/£9 concessions

For more info see Portrait Gallery section of gallery website

www.nationalgalleries.org

News for steam engine fans

ScotRail has announced that the first steam trains will travel along the new Borders Railway line in September.  On 10 September, just four days after the new railway opens, the 60009 Union of South Africa will haul the service between Edinburgh Waverley and Tweedbank. The engine is  one of six remaining LNER Class A4 steam locomotives in the UK, which were built in Doncaster in 1937.

The steam train will run through the Borders three days a week, for six weeks.

Tips I Learned From Laurie Campbell

Here is a list of the hints and tips I learned from the wildlife photography workshop with Laurie Campbell last month:

http://www.lauriecampbell.com/

1) Photographing birds in flight.

The best way to photograph a bird in flight is to have your camera set to manual mode (M). Point the camera at a neutral subject, such as a grey wall or patch of grass. Dial up a fast shutter speed (such as 1/1000th sec) and a moderately fast ISO (such as 640) and use the camera’s meter to choose an aperture which gives you a good exposure. If there isn’t enough light, increase the ISO. Take a test shot of the neutral subject and make sure the histogram looks ok. If the bird has light markings on it, take another test shot of something with highlights (such as a cliff with white bird droppings) and make sure the highlights are not blown out. If they are, increase the shutter speed until your test shot looks ok. Now set your camera’s autofocus mode to continuous servo (AF-C on a Nikon camera) with a single focus point in the middle of the frame. If your lens has vibration reduction, turn it off (it’s not necessary when the shutter speed is much higher than the focal length, and it interferes with the autofocus). Set your shutter release to continuous shooting. Now look through the viewfinder and track the bird. Try to keep the bird in the centre of the frame while holding the shutter release halfway down. When the autofocus kicks in, take a series of shots. Keep trying. If you find it hard to lock onto the bird, you can change the autofocus mode to 9-points or 21-points.

Some of us had a problem with this technique when the bird flew in and out of a shadow. Laurie told us in this situation you program the camera for one type of lighting (shadow or sun) and only take shots when the bird is under that lighting. (I am wondering if an auto mode with spot metering and exposure compensation might help you follow the change in lighting?)

2) Macro photography

Laurie gave us a number of hints and tips about macro photography. He uses a large heavy tripod to hold his camera and lens. The problem with most tripods is that they hold the camera and lens in only one place, which allows the lens to wobble slightly around that pivot point. Laurie solves that problem by pushing a rubber door stop into the gap between his lens and tripod. (This works if you have a large lens and large tripod head, like Laurie.)

Laurie uses manual focus for most macro work, and he focusses by moving the camera back and forth.

To keep macro subjects from moving in the wind, or to hold extras such a reflector, you can use a gadget called a Wimberley Plamp, available here:

http://www.wexphotographic.com/search/?q=wimberley%20plamp

I was so impressed with this gadget that I am now the proud owner of one. 🙂 It’s the sort of gadget which solves the problem of needing a third hand to hold something. I discovered each plamp can hold a reflector up to 20 inches in diameter. Larger reflectors need to be held by two plamps.

Laurie also pointed me to this inspirational video on macro photography:

The Bob Ross of Bug Photography Returns with a Solid Overview of the Macro Workflow

You can improve the lighting in macro photography by using a diffuser to soften the light and a silver reflector to lighten the shadows. (The famous plamp can hold the diffuser for you.) If he doesn’t have a diffuser or reflector handy, Laurie sometimes uses a Corex envelope stiffener as a diffuser or a piece of aluminuim foil as a reflector. A piece of foil is particularly useful, as you can mould it to the ground underneath a plant and shape it to reflect the light the way you want. (Note: During the session I used a piece of bubble wrap as a diffuser, and it seemed to work.)

3) General hints and tips

Laurie told us that one of his best value gadgets is a 77mm Canon 500D close-up filter. This is a high quality close-up filter which is more expensive than others on the market, but he believes the extra cost is worth it. He saves money by buying the largest filter size available (77mm) and uses step-up rings to attach it to lenses with a smaller thread size. Using step-up rings means the filter does not vignette your field of view, and you will be using the highest quality central part of the filter. You can use this tip whenever you need to buy an expensive filter – a 10 stop ND is another example. Never use a step-down ring, because this will vignette your field of view. (Note: For wide angle lenses, I think you need to check that the angular field of view of the lens is less than the opening angle of your step-up ring.)

Laurie likes to use Singh-Ray neutral density grad filters.

Singh Ray Home Page

He also mentioned that if you can’t afford a very long lens, you can obtain a very high equivalent focal length by attaching a Nikon V1 (which has a very small sensor) to a standard Nikon telephoto lens using an adaptor.

Laurie is always on the look out for new and interesting lenses and gadgets, and he sent me links to some interesting lenses that have recently appeared on the market:

Venus Optics announces the Laowa 15mm f/4 – the world’s widest 1:1 macro lens

http://sgmacro.blogspot.co.uk/2015/06/review-of-venus-optics-laowa-15mm-f4-11.html

http://www.venuslens.net/product/venus-v-dx-60mm-f2-8-ultra-macro-lens/

Venus 60mm macro lens review

Did anyone else pick up any hints and tips I haven’t mentioned?

All the best,

Steven.

The Musselburgh Public Art Dabble

The Camera Club has been approached to see if members may want to get involved in this. Tesco has donated funding for a public art project in Musselburgh. The Council has commissioned  ice cream architecture – a Glasgow based community art group to consult Musselburgh ( Fisherrow and Inveresk ) residents about what form they’d like the art to take and where it should go. There has been one meeting so far, a school consultation project and a walk around Fisherrow and the west of Musselburgh to talk about and look at possible sites for art.

The next walk is on Tuesday 23rd June meeting at Fisherrow Centre at 6pm. The walk lasts about 11/2 hrs. Full information about the project can be seen on the Facebook page or the Blog titled The Musselburgh Public Art Dabble. How about projected photographs on public buildings ? Once ideas have been further developed, a short list of artists, selected by the East Lothian Council,  will be asked to suggest possible artworks for installation. The public will be able to decide which they like best. Over to you …….