08 January 2026 (Human Portrait Print Competition)

Happy New Year! The season restarted with our annual Human Portrait Print Competition. George Robertson, who had given us these fantastic talks on mountain photography, returned to the club as judge rather than speaker.

23 September 2021 (Into the Throne Room of the Mountain Gods)

22 September 2022 (George Robertson: The Snows of Kilimanjaro)

31 October 2024 (George Robertson: Exploring Kathmandu and the Khumbu Valley)

George explained that when he judges prints he first splits them into two piles, 20 points and 17 points, based on their initial impact. He then waits a couple of days and looks again at the prints to see if any had gone into the wrong pile. Finally, he looks in more detail and subtracts points for technical issues such as sharpness, exposure or processing faults.

36 prints had been entered by 12 members. Some period portraits had been taken at Duncarron Medieval Village or at a battle re-enactment such as the battle of Prestonpans. There were also some travel portraits and studio portraits, including some of club members taken at our recent creative lighting workshop or studio night. George recognised the familiar faces. George critiqued the impact and engagement of each image, noting whether the pose, expression and composition helped or hindered the intended story. Most of the images were sharp where they needed to be (on the eyes of the subject) but some were sharper than others. The emphasis needed to be on the face, and in some images the face wasn’t the brightest area. There were also some images where dark clothing appeared to merge with a dark background. George also spotted some post-processing faults and noted that some prints had a yellow or magenta tint. He suggested using the texture tool in Adobe Lightroom to soften or roughen the face, depending on the situation (e.g. soften for a beauty shot or roughen for a battle scenario). Here is a YouTube video explaining how to do this:

YouTube video demonstrating the Adobe Lightroom “texture” tool.

George finished by revealing the top images which gave him the most impact but had fewest technical faults. He suggested we look closely into the eyes of the top image, “Beauty can be Fragile”, to see the detail and sharpness. When all the scores were added up, the top scorers were (in reverse order):

  • 5th place (49 points)
    • Carol Edmond
    • Jennifer Davidson
  • 4th place (50 points)
    • Mike Clark
  • 3rd place (51 points)
    • Melanie Gallacher
  • 2nd place (53 points)
    • George Todd
  • 1st place (55 points)
    • Derek Muller

George’s top images were:

  • Beauty can be Fragile (Derek Muller) – 20 points
  • Touch of Elegance (Melanie Gallacher) – 19 points
  • Soothsayer has Concerns (Derek Muller) – 19 points
  • Kalon – Ink Tells My Story (George Todd) – 18 points
  • Red Haired Beauty (Mike Clark) – 18 points
  • Woodland Queen (Jennifer Davidson) – 18 points

Well done to Derek for winning the trophy and for producing such a magnificent top image. Well done also to George and Melanie for their consistently high quality entries. Thank you to everyone who entered and thank you to George Robertson for judging the competition and giving us some good advice.

  • Please send your 3 “weather” images to George Todd as soon as possible.
  • Next week we have a club where we can take the opportunity to look at the 21 images that we missed seeing at the Black and White Print Competition on 4th December. This is unlikely to take the whole evening, so if you have a photograph from the Christmas holidays that you would like to show, please bring it along and we can show it at the end (depending on how much time we have).

09 January 2025 (Human Portrait Print Competition)

In a last minute change, David Ferguson, president of Falkirk Camera Club, visited us for a second time this year to judge our Human Portrait Print competition. David had previously judged our Digital Projected Images competition. David is an expert on portrait photography and well qualified to judge this competition, but he pointed out that any marks given are just his opinion. He has himself had the same print given a widely different mark on different occasions. David mentioned that portrait photography is often described as “capturing the personality of a person or group of people using lighting, a background and props”, but portrait photography can be much more than that. It can cover any situation where people are the main subject. The eyes are the most important part of any portrait, and the general rule is that the eyes must be sharp, and at least the eye closest to the camera must be sharp. David explained how lighting can affect the mood of a portrait. Many of the portraits entered had been made under soft, balanced lighting, which works well for female subjects, but male subjects often look better when lit more strongly from one side to enhance the contours of the face. He also suggested some of the male portraits would also have looked better in black and white. He also warned that lighting a face from below eye level can be unflattering and should be avoided, unless it is done for special effect (as in some horror movies). He suggested experimenting with the lighting when taking a portrait and try several variations until you find one that works. David also commented on the pose of some of the entries. Arms can be difficult to pose naturally, and he recommended avoiding poses where arms or elbows point towards the camera, as they can look distorted and distracting.

39 prints had been entered by 13 members. Some of the portraits were of other club members, taken during last year’s studio night, and we were amused to see the same hat coming up again and again. David judged each image on its lighting, pose and sharpness, and whether the composition told a story. Although it is good to crop out distractions in the background, David felt that some images had been cropped a little too tightly to tell the full story. Sometimes it’s good to see the whole outfit. Some portraits were a little different. Charlie Baird’s portrait of a woman “Looking out to sea” broke the rules by not showing the eyes, but it still worked because of the strong narrative. John West’s double self-portrait “Is COVID behind us” also had a strong narrative. Hovhannes had blurred the boundary between art and photography by entering a series of innovative prints which combined photographs with ink drawings on plastic. The top scorers were (in reverse order):

  • 5th place (49 points)
    • Joe Fowler
    • Charlie Baird
  • 4th place (50 points)
    • John West
  • 3rd place (51 points)
    • Carol Edmond
  • 2nd place (53 points)
    • Hovhannes Hovhannisyan
  • 1st place (55 points)
    • George Todd
    • Melanie Gallacher

The top images were:

  • Siddharta Guardian of the Hoogly Imambara Temple (George Todd) – 20 points
  • A Quiet Moment (Melanie Gallacher) – 19 points
  • The Pessimist (Hovhannes Hovhannisyan) – 19 points
  • Anastasia (George Todd) – 18 points
  • Breakfast Time (Carol Edmond) – 18 points
  • Ayla (Melanie Gallacher) – 18 points
  • Little Man (Melanie Gallacher) – 18 points

Well done to George and Melanie who share the trophy, and well done also to new member Hovhannes on a well-deserved second place, and to Carol for achieving her usual high standard. Thank you to everyone who entered and thank you to David Ferguson for judging the competition for us at short notice.

  • Don’t forget to send your 3 JPEG images on “Buildings” to George Todd before the end of the weekend.
  • Next week we have a talk from wildlife photographer Gordon Rae, who judged last year’s portrait competition. Although we can’t get a reply from Gordon, we are in his talk schedule:

    https://www.gordonraephotography.co.uk/section807167.html

    Gordon describes his talk “Wild at Heart – A Photographers Journey”, as “A far from boring presentation that takes you on what can only be described as a wonderful wildlife journey“. Fingers crossed that it goes ahead as planned. I’m looking forward to it.