Tag Archives: Photography

11 April 2024 (International ZOOM Speakers)

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On 11th April we were delighted to have 3 international speakers who joined us from Sweden and the Netherlands.

First up was Denise van der Boom who provided a bird’s eye view using drones to capture images from the sky. Denise has a very practical reason for favouring drone photography due to mobility issues. The drones do provide a great tool for getting compositions and locations that just would not work on foot. Members might recall Eddie Telford telling us back in February than he often waded into a river to get best shots. Denise gets similar shots without getting wet by hovering her drone over the water. The legalities of drone flight were mentioned (similar to UK rules) along with a brief comparison of a few different models. The small size and low weight of the DJI mini 4 meant that it could be taken on holidays as well as providing that unusual bird’s eye view of her homeland. While the novelty of the different views afforded by drones is interesting, there is still the need for a good composition. Abstract images of tulip fields full of coloured strips of flowers to the astonishing aqueduct that confused the senses, rainbows in agricultural watering systems and fine historic buildings all benefitted from the unusual viewpoint. Denise’s work can be seen at https://www.flickr.com/photos/denisevanderboom/

Hans van der Boom followed with a great 10 tips for “Photographing flowers in soft focus” using his own shots to illustrate his points (some of which may be found at https://www.flickr.com/photos/hansvanderboom/).

  • Use a Macro lens or adapters
  • Accessorise – mat to lie on, lights, plamps, clothes pegs, crinkled tin foil and, surprisingly, dog poo bags – the packs with various colours!
  • Use a BIG aperture, you don’t want all of the detail of a pin sharp image.
  • Make use of “out of focus” areas, to simplify your image.
  • Know your subject – go out with certain “in season” flowers in mind. An online Flowering Calendar could give an idea about what flowers might be currently available.
  • Pay attention to composition and space within the image. Using a low viewpoint (using a bean bag, or even a polystyrene bean bag for weight reduction) can keep the image simpler. The space around the subject is out of focus and this minimises clutter. Less is more!
  • Use of Light, avoiding harsh light and dark shadows. The use of a white umbrella can be used to diffuse light
  • Experiment – Christmas lights (battery operated LEDs) in front of or behind the subject. Use crinkled aluminium foil or glitter boards. Use a plant mister for a few dew drops. Place anything in the out of focus areas to simplify them. Reflectors can also be useful.
  • Bokeh and light bubbles are easier to achieve when shooting low to high.
  • Post Processing – add a little brightness and saturation, combine techniques. Moderation makes the master.

Hans also suggested shooting in raw and keeping ISO low to minimise digital noise. He also suggested that double or multiple exposure could be useful. Attaching the coloured dog poo bags, or sandwich bags etc to the lens hood with a clothes peg is a good way to fill the out of focus areas. Hans suggested that folks should look at the work of Bob Daalder for some inspiration.
https://www.instagram.com/bobdaalder/
https://4tinyhands.com/macro-photography-with-bob-daalder/

The evening was brought to a close by Helen Lunden, who many know from her time in Scotland and who is now a member of Mölnlycke Fotoklubb, Gothenburg, Sweden. Helen presented her work on images produced using Intentional Camera Movement (ICM). This was sparked by her attendance at a course in Dumfries and Galloway run by Morag Paterson and Ted Leeming. Helen covered the Why and How of ICM along with what equipment was needed along with examples and inspiration. The equipment used does not have to be special, in fact because the finished result is rarely pin sharp, older or less sophisticated kit can work out fine. Helen often uses an older Olympus EM10 and a mixture of lenses and ND filters.

How? Move the camera during the (long) exposure. An exposure of 1/8th of a second is often enough, and Neutral Density filters can help here. The camera is moved horizontally, vertically, spun, etc. You won’t know what you will get until the photo is taken. Multiple exposure can add to the finished result with perhaps multiple ICM images or 1 ICM image and a sharp image combined. Helen prefers to achieve the result in-camera with only subtle increase in contrast and saturation carried out afterwards. Her method is to “take lots of shots and delete what you don’t like”. While vertical movements are often used for trees and horizontal for landscapes, you can always add in other movements or shapes. An advantage of the technique is that it can work indoors or out, in pretty much any lighting conditions and even macro can be effective. People photos can provide a ghostly effect.

Helen’s recent projects include The Swedish West Coast (ghostly images), Dark & Light (quite moody) and Light & Harmony (quite fresh). It is very interesting to see things in the final images that have been introduced by the working method, the results can be striking. Helen was keen to encourage more photographers to have a go at ICM to see what they could produce. Helen Lunden’s images are on show at…
https://helunhelun7.wixsite.com/helensfoto
and she talked about the work of several other photographers who champion ICM images including…

along with the ICM PhotoMag Network run by

The ICM PhotoMag can be found on Facebook: https://www.facebook.com/ICMPhotoMag/

An interesting international evening highlighting aspects of photography that are not often discussed at Fisherrow.

  • This Thursday (18th April 2024) we will be having a “Studio Lighting Fun Workshop” at the Fisherrow Centre at our usual time of 7pm. Bring your camera or phone and come along to experiment and have fun.

21 March 2024 (Set Subject Competition C – Flowers)

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Thursday saw the conclusion of our 3-part set subject competition. The third part on the theme of “Flowers” was judged by Gordon Davidson, who had won last year’s competition. 11 members had entered 33 images altogether, with a wide selection of floral images ranging from wide shots of entire flower beds to portraits of a single specimen, including a Karen Woodcock’s “Happy Wee Poppy” that looked like it was smiling. Gordon commented on the detail and composition of each image. Some images had lost detail through a slightly offset focus or too little resolution. It is easy to over-exposed a flower when brightly lit, and some images had lost detail in their highlights. Gordon also pointed out some blobs and halos that he found distracting in the background. Nevertheless, Gordon liked most of the images, which meant there were a lot of high marks. The top scorers were (in reverse order):

  • 5th place (50 points)
    • Joe Fowler
  • 4th place (51 points)
    • Gavin Marshall
    • Jim Innes
  • 3rd place (54 points)
    • Steven Beard
    • Derek Muller
  • 2nd place (56 points)
    • John West
  • 1st place (57 points)
    • Jennifer Davidson

The top images were:

  • Red Roses (John West) – 20 points
  • Let us out! (Jennifer Davidson) – 19 points
  • Blue Lily Head (Jennifer Davidson) – 19 points
  • Pink Daisy (Jennifer Davidson) – 19 points
  • Dandelion (Steven Beard) – 19 points
  • Yellow Lily (John West) – 19 points
  • Pink Rose (Carol Edmond) – 19 points
  • Backlit Sunflower (Derek Muller) – 19 points
  • Purple Plant (Joe Fowler) – 18 points
  • Frosty Rose (Joe Fowler) – 18 points
  • Red Dahlia (Steven Beard) – 18 points
  • Turkscap Lily (Elaine Gilroy) – 18 points
  • Tulip Fields (Jim Innes) – 18 points
  • Thistle From Above (Derek Muller) – 18 points

Well done to Jennifer Davidson, who wins the right to judge next year’s competition. Also well done to John West, whose image of red roses achieved the highest mark. The latest scores have evened up the league table, making the final result close, but after consulting the final spreadsheet I can reveal that the final result from all three competitions is:

  • 1st place
    • Jennifer Davidson (53 + 57 = 110)
  • 2nd place
    • John West (50 + 56 = 106)
  • 3rd place
    • Steven Beard (51 + 54 = 105)
    • Elaine Gilroy (51 + 54 = 105)
    • Derek Muller (51 + 54 = 105)
  • 4th place
    • Carol Edmond (54 + 50 = 104)
  • 5th place
    • Joe Fowler (52 + 50 = 102)

Well done to Jennifer for winning the trophy, and thank you to all the members who entered some beautiful images this year.

  • This is the last competition of the season, and George needs to engrave the trophies for the AGM. If you won a trophy last year please return it to George as soon as possible.
  • This coming Thursday we will be hosting Musselburgh Art Club and will be meeting in the upstairs room F1 in the Fisherrow Centre.
  • The season is drawing to close, and we need to decide where to go for our end of season photoshoot on 18th April 2024. Please think of ideas for where we could go and let me have your ideas. I have already had the following suggestions:
    • Meet in Edinburgh for sunset and street lighting pictures.
    • Meet at a local nature reserve, such as Aberlady Bay.
    • Switch the date to Saturday, 20th April 2024, so we can meet earlier when there is more daylight. That would also open up local sites which close before 7pm, such as Dalkeith Country Park and the Gosford House Estate.

 

19 March 2024 (3-Way Inter-club Competition)

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There was an extra club meeting this week. On Tuesday, 19th March Musselburgh Camera Club visited Haddington Camera Club to take part in the annual 3-way competition, along with Beeslack Penicuik Camera Club. The meeting took place at the Poldrate Mill, Haddington, where we were treated to a lavish spread of sandwiches and cakes.

The competition was judged by Gordon Scott of Mid Calder Camera Club. Each club submitted 15 images each, making a total of 45 images. Musselburgh got off onto a good start and were 1 point ahead after the first round. We maintained that narrow lead and by the break had 134 points to Beeslack’s 133 and Haddington’s 130. We kept our lead through the second half. In the final round Haddington sneaked ahead of Beeslack, but Mike Clark’s “White Mountain Hare in the Heather” secured top marks and guaranteed a good win for Musselburgh. The final scores were:

  • First place (252 points) Musselburgh Camera Club
  • Second place (244 points) Haddington Camera Club
  • Third place (243 points) Beeslack Penicuik Camera Club

The top Musselburgh images were:

  • White Mountain Hare in the Heather (Mike Clark)  – 20 points
  • Woodpecker feeding (Joe Fowler) – 19 points
  • Harvest Queen (Joe Fowler) – 19 points
  • Sea Eagle with Catch (Mike Clark) – 19 points
  • Hunting Sparrowhawk (Jennifer Davidson)  – 18 points

Well done to Musselburgh Camera Club for a great win, and thank you to Mike, Joe and Jennifer for helping us to achieve that win.

  • This Thursday, 28th March, we have our joint meeting with Musselburgh Art Club. We will be meeting in room F1 in the Fisherrow Centre, not our usual room. To reach that room you need to go upstairs and follow the signs to F1. Come along and see what the art club members have created this year.

14 March 2024 (Charles Everitt: Project Driven Photography)

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This week we were delighted to welcome Charles Everitt back to the Musselburgh. Charles gave us a talk 2 years ago featuring photographs from his book “Water of Leith: Nature’s Course”. This year he returned to tell us how project-driven photography had restored his motivation in photography. When Charles began photography 30 years ago he toured popular sites around Scotland and came home with a selection of reasonable good photos showing the same subjects captured by everyone else. But then he decided to try some long exposure shots of the Water of Leith, right in his backyard, and realised the beautiful shot of a rapid he created could have come from anywhere in Scotland. He decided to start a project to tell the story of this hidden gem of a river running right through Edinburgh. He realised that by spending time getting to know one subject you can spot the ever-changing details that are easily missed by other photographers: the pattern of light on the water; the small flowers at your feet; and the changing colour in the reflections as the evening progresses, the sun sets and people switch on lights and close coloured curtains. The result was “Water of Leith: A Nature’s Course” mentioned earlier. The result inspired more projects, such as “Forthshore: East Lothian’s Coastline”, “Mull: Moments and Memories”, and his latest work, “Off Course: Nature Around A Golf Green”. Charles explained that the photographs he creates could be used to create a book, a calendar, a portfolio of prints, a magazine article or a presentation.

Charles now works as a part-time ranger on the Dundas Castle Estate, which gives him a plenty of opportunities to photograph the woodland throughout the year. He likes to create abstract photos from the shapes and textures around him, including some imaginative shots made using Intentional Camera Movement. When an old tree needed to be cut down, Charles took the opportunity to photograph the textures and shapes in the wooden disks before they faded. Charles played us a selection of audio visual presentations created from his project photographs. The first presentation showed us the Water of Leith as it flowed through Dean Village and included some beautiful “leaf, stone and water” compositions. Further presentations explored Charles’ macro images of flowers and fungi. Charles explained that he takes his flower shots from ground level at f/4 with his camera perched on a kneeling pad, and he uses a torch (not a flash) to light up the flower against its natural background. Sometimes he uses two torches: one to light the foreground and another to back-light the subject. He will sometimes shine a light through a coloured leaf to produce a natural colour but never uses coloured filters. Charles also showed us some of the red kite photos he had taken at Argaty Red Kites and some shots he had taken on trips to Bass Rock and Inchkeith Island (including some abstract shots of the water he took during the boat trips). Charles finished with a presentation showing how low-key shots of the Gormley statue on the Water of Leith can, when taken from the right angle, make it looks like a sinister figure rising from the depths.

Thank you Charles for another fascinating and enlightening presentation. I am sure we will all be trying your idea of using a torch to light our flower photographs, although it will be too late for next week’s set subject competition. Please note we have TWO meetings coming up in the next week:

  • On Tuesday, 19th March 2024 at 7:30pm we will be meeting Haddington Camera Club at Poldrate Mill, Haddington for the annual 3-way competition.
  • On Thursday, 21st March 2024 at 7:00pm we will meet as usual at the Fisherrow Centre in Musselburgh for our final set subject competition (Flowers), judged by Gordon Davidson.

22 February 2024 (Eddie Telford: Around the World in 80 Images)

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This week Eddie Telford returned to Musselburgh to give us a custom talk based around two themes: “Remember Photography is Fun” and “Around the World in 80 Images”. Eddie began by showing us a short comedy video showing the antics of the “Nessie” toy that he takes with him on his travels. A Loch Ness monster who likes his whisky. 🙂 He then showed us a selection of humorous photos with silly poses, odd juxtapositions and unfortunate angles of view which showed the funny side of photography. Eddie showed that photography can be fun and entertaining, and is more than just entering competitions.

The second half of Eddie’s talk showed a varied selection of photographs taken on his travels around the world, covering at least 4 continents. I lost count of the number of countries he mentioned. His presentation was peppered with fun anecdotes and good advice about presentation and choosing the right title. He showed us some “before and after” images showing the edits he had made in response to judges’ comments. Eddie was not averse to viewing a scene from the best angle, sometimes donning waders to get the shot from the middle of a river. We finished the night with a chat with Eddie over tea and biscuits. Thank you Eddie for a great presentation and an entertaining evening.

Next week, 29th February, Malcolm Roberts will reveal the results of the “Contrasting Textures” set subject competition; and the week after, on 7th March, we will be saying “hello” again to our friends from Mölnlycke Fotoclubb, in Gothenburg.

15 February 2024 (Audio Visual Evening)

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This week we hosted our annual audio visual evening with Beeslack Penicuik Camera Club. Two years ago we had hosted this meeting by Zoom in room G3, but this year we were fully back to normal. Members of both clubs met in room G6 of the Fisherrow Centre and were treated to tea, sandwiches and cakes by Liz Sowler, Ed Robertson and Carol Edmond.

Beeslack began the evening with a beautiful presentation created by Brian Nicolson, made from photographs of woodland scenes in Midlothian paired with inspirational music. Musselburgh then resurrected a presentation made by Steven Beard in 2012 describing his 2008-2009 trip to the Cerro Paranal Observatory Chile to commission the VISTA Infrared Camera. The place had also been used as the secret lair of the villain in the James Bond film Quantum of Solace. The VISTA Infrared Camera was decommissioned in 2023, bringing the story to an end. Beeslack then showed their club presentation which celebrated the “Environs of Penicuik”. It featured a selection photographs from historical monuments and scenic places to visit around Penicuik taken by their club members.

The meeting then changed tack and showed a YouTube video created by Musselburgh member Derek Muller entitled “Getting Started in Screen Printing”. The video showed us how to use a MiSCREEN silk screen printer to transfer an artwork or black and white photograph onto paper, or a T-Shirt, etc… Derek creates his videos with a camera or iPhone and edits them using iMovie. Beeslack then showed a supplement to their club presentation which demonstrated the artistic filters applied by Bill Baird. Photographs of the Midlothian countryside were transformed into artworks before our eyes. This was followed by a short video showing a visit to the Edinburgh Festival Fringe by Musselburgh member Kevin Johnston and then a presentation showing a visit to Alicante, Spain in 2019 by Beeslack member Mike Walby.

The evening finished with three short presentations. Derek Muller showed a video of the waves crashing onto the shore at Portobello beach, which featured some lovely slow motion effects and a passer by who looked like they were going to get soaked but escaped. Then we watched a Beeslack video showing the Fells, Becks and Lakes of the Lake District. Beeslack also chose the perfect presentation on which to close the evening: a celebration of Valentine’s Day created by Gordon Peerless. We finished with a discussion over tea and cakes.

Thank you to Beeslack for visiting and showing their presentations, and thanks again to Liz, Ed and Carol for the catering. Next week Eddie Telford will be returning to give a talk on “Around the World in 80 Images”. See you there.

08 February 2024 (Human Portrait Print Competition)

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Gordon Rae kindly agreed to judge our human portrait print competition at short notice and had travelled to Musselburgh from South West Scotland. Gordon is an award-winning wildlife photographer whose work can seen on his web site:

https://www.gordonraephotography.co.uk

Gordon said he was impressed with the quality of the entries and had judged and scored them to a high standard, so he hoped nobody (especially beginners) would be disappointed with their score. Gordon had identified one winning portrait, plus some second and third placed runners up.

23 prints had been entered by 9 members. The subjects included sports competitors, street artists, musicians, wise men, soldiers, and pictures of other club members. John West had entered a unique, double-exposed, self-portrait called “Doppelganger” which was popular during the tea break. Gordon commented on the composition of the portraits and suggested some crops that would tighten up the subject in the frame. He explained that the “rule of thirds” guideline that is useful for landscape photography is not so important for portraits. Male subjects can be shown looking straight into the camera but female subjects often look better with their head turned at an angle. In some of the portraits there were dark shadows on the face that could have been prevented by using softer lighting (or by balancing the light with a reflector). He also warned photographers to watch out for colour casts in their prints and make sure that the skin colour looks natural. Watch out also for places where the subject could merge with the background (for example a dark coat shown against a dark background of a similar colour) and make sure there is a distinct boundary. The highest scores went to the prints that Gordon judged had captured a moment, showed a great expression, had a good balance of tones and had good backgrounds. The top scorers were (in reverse order):

  • 4th place (46 points)
    • John West
  • 3rd place (51 points)
    • Jennifer Davidson
    • Joe Fowler
    • Carol Edmond
  • 2nd place (53 points)
    • Derek Muller
  • 1st place (54 points)
    • George Todd

The top images were:

  • Kalon (George Todd) – 20 points (and the overall winning print)
  • 96 Years Young (Carol Edmond) – 19 points (and overall 2nd equal print)
  • Beguiling (Derek Muller) – 19 points (and overall 2nd equal print)
  • Katrine (John West) – 18 points (and overall 3rd equal print)
  • He Gets The Joke (Derek Muller) – 18 points  (and overall 3rd equal print)
  • I Love my Purple hat  (Jennifer Davidson) – 18 points
  • Downhill Racer (Joe Fowler) – 18 points

Well done to George for winning the competition and achieving best print with a fabulous portrait of a tattooed boxer, and well done also to Derek, Jennifer, Joe and Carol. Thank you to everyone who entered and thank you to Gordon Rae for judging the competition for us at short notice.

We had some spare time after the competition, so Gordon gave us a short presentation entitled “Birds of Iceland”, which showed the wildlife photographs he had collected on a tour of Iceland (see Gordon’s Iceland gallery for a couple of examples). Gordon explained that he most often used a Nikon 200-400mm lens with a 1.4X teleconverter. Most of his photos are taken at f/5.6, but at low angles he finds f/10 a better choice because the water appears more out of focus at those angles. We enjoyed the talk so much we booked Gordon to give us a full-length talk next year. Watch out for next year’s programme.

  • On Thursday, 15th February we will be joined by Beeslack Penicuik Camera Club for our annual audio visual night. We will be meeting in the larger room in the far corner, G6, not our usual room, G3.
  • If you would like to enter the “contrasting textures” set subject competition, please send your three JPEG files to George Todd this weekend.

See you this Thursday for some AV entertainment.

01 February 2024 (Digital Knockout Competition)

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Our first club meeting of February 2024 was our annual digital knockout competition, where members bring in digital images on a chosen theme and vote to choose their favourites. This year’s theme was “water”, chosen at last year’s AGM.

8 members entered a total of 23 digital images with some creative interpretations of the “water” theme. There were a lot of photographs of rivers, waterfalls and beaches, some lakes with reflections, some underwater scenes and some snow scenes. There were also some impressive abstract images created from droplets and waves at the water surface. One particularly inventive image was “Water Music”, showing a water splash superimposed on some sheet music. Another simple but effective image showed the rain on the window of an Edinburgh bus at night. The images were voted off in a series of head-to-head rounds until only 3 images remained. Members then voted for their favourite to determine the final placings, and the result was:

  • 3rd place
    • An image of a splashing wave in front of Arthur’s Seat (Steven Beard)
  • 2nd place
    • An image of a Tough Mudder contestant emerging from water (Jennifer Davidson)
  • 1st Place
    • Waves crashing over rocks at North Berwick (Joe Fowler)

Well done to Joe Fowler, who won a packet of water biscuits! Well done also to Jennifer and Steven, who’s images survived the head-to-head rounds despite some very close counts.

  • Next Thursday Colin Joyce will be judging our human portrait print competition. George Todd will also be collecting entries for our second set subject competition. Please send your 3 JPEGs on the subject of “contrasting textures” to George.

See you on Thursday,

Steven

25 January 2024 (Sets of Six and Macro Presentation)

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This week we had a “Sets of Six” evening, where members bring along images or give interesting demonstrations. I started the evening by giving a macro photography demonstration. I brought along a small (25cm x 25cm) lightbox into which I placed a “Musselburgh mussel” on a stand.

An image of a mussel inside a light box.

Macro photography is extreme close-up photography where the original idea is was to make the image on the camera’s sensor at least the same size as the subject itself. To achieve this you need a lens which can focus very close. A macro lens is one designed to have a close focus distance for macro photography, but if you don’t have a macro lens (or want to try macro photography at a different focal length than your macro lens) the following gadgets can also help:

  • Extension tubes will reduce the focal distance when fitted between your camera and lens. These are the best option because they contain no glass and won’t affect the performance of your lens. But make sure you buy ones compatible with your camera.
  • Close-up lenses can be screwed to the front of your lens, just like a filter. These have the advantage of being cheap and easy to fit, but because they contain glass they affect the performance of your lens.

One of the most difficult things in macro photography is getting the focus right. Macro photos tend to have a very narrow depth of field, especially if you choose a longer focal length to keep clear of your subject. One way to correct the narrow focal length is to use a narrow aperture (such as f/16 or f/22) but that leads to a longer exposure time and motion blur. Good lighting is very important in macro photography. For still subjects you can use a light box. Click here to see a review of the one I demonstrated, but there are other makes and sizes available. For moving subjects you can use a ring flash which fits on the front of the lens, which won’t cast shadows like a flash attached to the camera body. If you are lucky enough to have bright natural light available, a small reflector or diffuser can be used to soften the lighting and brighten the shadows. A gadget, such as a Wimberley Plamp, can be attached to your tripod to hold subjects like flowers that might be blown by the wind.

Another way to achieve a better depth of field in macro photography is using a focus stacking. Here is a YouTube video which explains how to do it.

You can change the focus by using the focus ring on your lens, but some photographers find a focus rail (which moves the camera back and forth on a rail) is easier to control. This site shows you how use a focus rail: https://www.digitalcameraworld.com/tutorials/how-to-use-a-macro-focusing-rail-for-a-focus-stacked-close-up.

Finally, I demonstrated a USB microscope, which can produce extreme macro close-ups. The depth of field for these devices is extremely narrow and they work best with two-dimensional subjects. But they can detect tiny objects invisible to the naked eye, such as dirt on the front of your lens you didn’t know was there. Here is a review: https://gadgets-reviews.com/uk/review/1388-best-usb-microscopes.html. These range from cheap to very expensive. I demonstrated a mid-range Jiusion microscope which saves HD images.

Several members then showed a selection of interesting images: Kevin Johnson showed how classic album cover art can inspire photography; Mike Clark showed some “before and after” results in underwater photography; John West showed how you can use ICM to transform an image of the interior of a cathedral; Malcolm Roberts described his visit to the Wildlife Photographer of the Year exhibition; There were also some unique views of The Kelpies. George Smith showed his first attempts at astrophotography; Elaine Gilroy showed her photographs of birds; George Todd showed a selection of holiday images; and Derek Muller showed a rig he had set up to capture water splashes. Derek also showed some of his favourite images of acorn people created by David M Bird. More of these images can be found on David’s YouTube channel:

https://www.youtube.com/@davidmbird

Finally, Joe Fowler showed us how images can be improved by removing the distractions and using the clone tool to add more interest. Thank you to everyone who showed their images. It was a long but very entertaining evening.

Next week we have a digital knock-out competition. Please bring up to 3 images on the subject a “water” and then vote for your favourites.

08 December 2022 (Julian Elliot: Breathless in Nepal)

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Our last meeting before Christmas was another joint Zoom talk hosted by Beeslack Penicuik Camera Club and joined by Earlston Camera Club members. Julian Elliot, an award-winning landscape and travel photographer, connected with us from France and gave us a fascinating talk about his experiences. You can find more about Julian on his web site:

https://www.julianelliottphotography.com/profile/

Julian began his talk by describing his kit and explaining his techniques. He normally travels with a Canon DSLR camera plus 6 lenses (3 zoom lenses and 3 tilt/shift lenses), although 90% of his travel photography is made with the following gear:

  • A 24-70 zoom lens. Julian finds this lens makes great portraits, and is also useful for landscapes and use in cramped spaces. He likes to photograph hands with this lens.
  • A 100-400 zoom lens. Julian uses this lens to make landscape images of distant mountain scenery. Some people are surprised that a telephoto lens can be used for landscapes, but mountains tend to look more impressive when the depth is compressed. The lens can also pick out interesting details from the landscape. Julian also uses this lens to make panoramas, and to take distant portraits with a compressed background.
  • A 24 tilt-shift lens. Julian finds a tilt-shift lens invaluable for photographing architecture. It gives superior results than taking a picture with a normal lens and using a lens correction filter because you can see the result you are going to get in-camera, and there is is no cropping of the image at the edges. Julian showed some examples of what could be done with this lens: a superb shot of the inside of a cathedral, or a photograph of a statue in front of a temple taken from only a few feet away with all the verticals vertical.
  • A 1.4x extender, which Julian uses to extend the capabilities of the above lenses/
  • A carbon fibre tripod (lightweight for travelling).
  • A polarizer filter and a neutral density filter. Polarizer filters can enhance the sky or remove reflections, and the neutral density filter allows longer exposures.
  • A decent camera bag. Julian explained that most bags are designed to be used in an airport, and it is hard to find a bag that is versatile enough to use on a flight and carry outside.

Julian went on to explain how he plans his travels. He learns about destinations by reading travel magazines and using travel guides for research. He looks at photographs published by other photographers to get an idea of the possibilities. You can follow particular photographers on social media, but you can also follow specific hashtags, such as “#vietnam”, to see all the posts made about a particular place. But he warned us that landscapes are constantly changing. What you see described in a guide or shown in a past photo might not be there any more, so be prepared for the unexpected. He uses the following tools to plan his shots:

  • Google street view can be used to explore a destination virtually, but not all countries allow it.
  • Once Julian has decided on a destination, he uses Google Mind Maps to plan his travel. It can be linked to maps, and the application can be used on a phone to create an itinerary.
  • The Photographer’s Ephemeris can be used to plan your shots and investigate where the light will come from at different times of the day. The PhotoPills application is also a very useful planning tool.

After taking us through the basics, Julian then took us on a journey to Upper Mustang in Nepal, showing us the spectacular landscape images he had take on the trip, the portraits of the people he had met on the way, and his architectural photographs of the towns and temples. Travelling to Upper Mustang was like travelling back in time, with very different norms and customs. He became friends with a local guide who introduced him to interesting people. Julian would often ask permission to take his shots from unusual vantage points, such as the roof of a temple. On his journey through Nepal, Julian needed to climb to some high altitude view points, and on one of these excursions he suffered from serious altitude sickness. Julian told us the story of his treatment and recovery and warned anyone else travelling to Nepal to be aware of the effects of the altitude and not to push themselves too quickly. Julian finished his presentation with a selection of portraits and images of more spectacular temples. It was a very entertaining and enlightening evening.

That was the last club meeting at Fisherrow until the New Year. Next week we will be meeting at the Ravelston House Hotel in Musselburgh for the club’s Christmas social evening.

Steven