18 September 2025 (Graeme Barclay: Street Photography)

This week we were delighted to welcome our first speaker of the season. Graeme Barclay has a background in hydraulic engineering and started photography in 2017. He is currently a member of Midlothian Camera Club, but also has links to Falkirk Camera Club. Graeme has interests in creative street photography, astrophotography, themed portraits, sports photography and nature photography. You can follow Graeme’s work on social media:

In tonight’s talk, Graeme introduced us to his creative style of street photography. When he first started, he found street photography a challenge. You need to overcome your fear, learn to blend in and remember to press the shutter at the right moment. But once you get started you’ll find yourself a member of an awesome community and feel a special connection with people. It is legal to take photographs on public land, but you need to be careful not to include private spaces (such as the inside of a house or pub through a window). London and Edinburgh are both very good locations for street photography. Graeme finds that Princes Street is a better place for street photography than the Royal Mile because the lighting is better.

Graeme showed us some great shots where street performers had posed for him. However, he prefers candid portraiture, where you catch an expression without someone being aware of the camera. Graeme has several tricks for hiding his camera. He cut a slot in an old credit card and uses it as an adaptor which lets him take level shots while his camera is around his neck with a flip-out screen. He also sets his camera to silent mode and uses a remote shutter release from his pocket. He has mastered some misdirection techniques, such as pretending to look at his phone or picking up his keys. He showed us a series of great candid shots, mostly taken using a 135mm lens with a f/1.8 aperture. The wide aperture blurs the background and reduces distractions, although he found that the side of a passing bus can sometimes make a great background! He also explained how using a hashtag, such as #camden, is a good way of connecting on social media with the people and places you have photographed.

Graeme revealed some dramatic shots he created with an 8-15mm fish-eye lens, especially shots angled upwards from a low angle. You need to get the camera angle just right so that the lens distortion exaggerates the right part of the image, for example showing a huge foot and a leg stretching into the distance. You also need to get within a few inches of your subject to ensure they stand out from the background. Graeme uses centre-point auto-focus to capture his standard portraits, but for these special effects he uses a narrow aperture with the focus set manually to the hyperfocal distance (i.e. the one that produces the maximum depth of field). He uses the Photopills app to calculate the right focus setting for each shot:

https://www.photopills.com/

The evening finished with an audio-visual presentation that showcased Graeme’s street photography collection. We then broke for tea and biscuits. Thank you Graeme for showing us how to take some fantastic and dramatic street photography shots.

Next week we have an informal club night. Please choose 6 images that you’d like to share with other members. You can email them to George Todd or bring them along on a USB data stick. A club night is also a good opportunity to ask questions or to demonstrate something, such as a useful skill or a new gadget.

11 Sep 2025 (Creative Lighting Workshop)

We got our 2025/2026 season well and truly started with a creative lighting workshop. Steven began the evening with a discussion of the lighting equipment available to photographers. This web site has a good introduction to creative lighting techniques: https://shotkit.com/photography-lighting/. Taking photos in low light usually requires a long exposure, which can blur your photos with camera shake. Adding extra lighting is a good way to improve portraits and still life photos taken in a dark place. This time we concentrated on portraits. We’ll spend more time on still life photography at our second workshop on 13th November 2025. There are two basic kinds of lighting available:

  1. Flash. A flash creates an intense and very rapid burst of light. The burst is so rapid that it freezes any movement or camera shake. A disadvantage of a flash is that it can cast a shadow onto the background. Also, because the flash only fires briefly, it’s hard to see in advance where those shadows will be. Some flash units have a dim “modelling light” which shows up the shadows. Firing a flash straight into someone’s face can also cause “red eye”. If your camera has a built-in flash it will probably suffer from these problems. You can get a softer lighting and eliminate the “red eye” problem by attaching a flashgun to your camera and angling the flash upwards so it bounces it off a light ceiling. You can start to emulate a studio setup by adding “slave” flash units which synchronise with your main flash. Lighting your subject from the left and right side can give a softer effect with fewer shadows.
  2. Continuous lighting. Continuous lighting allows you to see how your subject is illuminated before you take the picture. You can add as many lights as you like. However, these lights tend to be dimmer than flash, so you’ll find yourself putting up with longer exposure times. We demonstrated several different kinds of continuous lights at our workshop. There were some bright, mains-powered bulbs, a battery-powered LED panel and a battery powered torch.

Members tried out 3 main lighting setups. Ed and I had set up some of the club’s studio lighting equipment. This equipment consisted of two main-powered flash units combined with some modelling lights, a diffuser umbrella and a “beauty dish”. The equipment triggered each time it detected a flash. This combination was good at taking well-lit portraits with soft lighting. Derek had brought two contrasting setups with continuous lighting. One setup demonstrated how a single light from the side can create dramatic, high contrast portraits. The other setup had two lights with red and blue gels, which created colourful special effects. Steven showed how the battery powered lights can be deployed and removed very quickly, when the LED panel and the torch were used to photograph a rabbit who didn’t like the bright lights.

Next week (18th September) we have our first speaker of the season. Graeme Barclay of Midlothian Camera Club will talk to us about Street Photography.

Welcome to the 2025-2026 season of Musselburgh Camera Club

I would like to welcome everyone who came to our opening night on 4th September 2025, especially the new members. If you entered your email address on the club home page you should receive these blog entries that describe our meetings. You can also follow group activities by joining our member-only Facebook group: https://www.facebook.com/groups/25703565185901411. Ask our web master, Elaine Gilroy, for an invitation.

You will find our 2025-2026 programme on the club website: https://musselburghcameraclub.org.uk/programme-2025-2026/. There are also monthly outings and photoshoots which are listed on our activities page: https://musselburghcameraclub.org.uk/club-activities-2025-2026/, but you’ll find the most up to date information and chat about each activity on our Facebook pages.

The club web site contains a collection of tutorials on photography that our chair has added over the years:
https://musselburghcameraclub.org.uk/introduction-to-photography-presentations/


A list of the events coming up in the next few weeks has already been posted. Click this link to read that post: https://musselburghcameraclub.org.uk/2025/08/26/events-coming-up-in-the-next-few-weeks/

This coming Thursday, 11th September, we have our Creative Lighting Workshop. Please bring your camera and (if you have one) a flashgun. We’ll start the evening by showing a selection of different lighting equipment. If you have anything unusual you would like to show, please bring it with you. We will have 3 different portrait lighting setups that you can try for yourself. On this occasion we’ll be concentrating on taking portraits, so please bring along any costumes and props you think would look good.


Information on how to enter the club competitions can be found here (or you can just ask George Todd, our competition secretary). Competition images are normally emailed to George at georgetodd1957@me.com:

An introduction to the club competitions

Welcome again to the club. A year of exciting photographic activities lies ahead of us.