02 February 2023 (Set Subject Competition C – Landscape)

Our set subject competition concluded on Thursday with the third and final part, on the theme of “Landscape”. George Todd had won last year’s competition and judged our entries. George mentioned that he liked landscape images to contain three balanced parts: something interesting in the foreground to lead in your eye; something in the middle distance; and something in the far distance to give depth to the image. He also mentioned that landscape images containing bodies of water work better when there is a landscape in the distance (with the water ending in a distance island or distant mountains, for example).

14 members had entered 42 images altogether. Most of the images showed scenes from Scotland, although there were a few from as far afield as England, Ireland, Iceland and Arizona. George found that some scenes were spoiled by the inclusion of people and houses in the far distance which didn’t add anything or act as focal points. George also pointed out how one image was spoiled by a large number of footprints in the foreground sand. He recommended photographing sandy scenes early in the day before other tourists have arrived to spoil the pristine surface. He also explained how landscape images could be made more punchy and colourful using a “levels” adjustment in Photoshop. Images that were a little too hazy and flat in the distance and could be improved with the Photoshop “de-haze” filter. Overall, George was impressed with the quality of the entries, especially from new members Ross Robertson, Jim Innes and Derek Muller, and there were a lot of high marks. The top scorers were (in reverse order):

  • 5th place (50 points)
    • Malcolm Roberts
  • 4th place (51 points)
    • Steven Beard
    • Steve Williams
    • Elaine Gilroy
    • Jim Innes
  • 3rd place (52 points)
    • Mike Clark
    • Derek Muller
  • 2nd place (53 points)
    • Joe Fowler
    • Ross Robertson
  • 1st place (54 points)
    • Gordon Davidson

The top images were:

  • Sunset in Arisaig looking towards Eigg and Rhum (Gordon Davidson) – 20 points
  • Wild Ponies (Joe Fowler) – 19 points
  • On the Trail (Steven Beard) – 19 points
  • Glen Coe Water (Mike Clark) – 19 points
  • Sky High (Ross Robertson) – 19 points
  • Icy Fjord (Steve Williams) – 18 points
  • Autumn Reflections (Elaine Gilroy) – 18 points
  • Natural Light Show over Urquhart Castle (Derek Muller) – 18 points
  • The Desert Guardians ensure the sun is extinguished after another burning day (Derek Muller) – 18 points

Well done to Gordon Davidson, who had the top image, achieved the highest mark, and has won the right to judge next year’s competition if he so wishes. Also well done to Derek Muller for submitting the most imaginative and amusing titles! The scoring was very close and, now that George has consulted his final spreadsheet, I can reveal that the final result from all three competitions is:

  • 1st place
    • Joe Fowler (54 + 53 = 107)
    • Malcolm Roberts (57 + 50 = 107)
  • 2nd place
    • Mike Clark (52 + 52 = 104)
  • 3rd place
    • Steven Beard (52 + 51 = 103)
    • George Todd (55 + 48 = 103)
    • Derek Muller (51 + 52 = 103)
    • Gordon Davidson (49 + 54 = 103)
  • 4th place
    • Steve Williams (51 + 51 = 102)
  • 5th place
    • Carol Edmund (50 + 49 = 99)
  • 6th place
    • John West (49 + 49= 98)

Well done to Joe and Malcolm for jointly winning the trophy! The scoring was so close this year that there are a lot of medal winners. Well done to you all.

  • Since we are coming up to the last few competitions of the season, it is time to start returning your trophies from last year to George so he can engrave them ready for the AGM.
  • This coming Thursday, 9th March 2023, we will be hosting our annual meeting with Mölnlycke Fotoklubb from Gothenburg. The meeting will be held by Zoom, but we will also show the meeting at Fisherrow. Come along a comment on Mölnlycke’s images and vote for your favourites.

08 December 2022 (Julian Elliot: Breathless in Nepal)

Our last meeting before Christmas was another joint Zoom talk hosted by Beeslack Penicuik Camera Club and joined by Earlston Camera Club members. Julian Elliot, an award-winning landscape and travel photographer, connected with us from France and gave us a fascinating talk about his experiences. You can find more about Julian on his web site:

https://www.julianelliottphotography.com/profile/

Julian began his talk by describing his kit and explaining his techniques. He normally travels with a Canon DSLR camera plus 6 lenses (3 zoom lenses and 3 tilt/shift lenses), although 90% of his travel photography is made with the following gear:

  • A 24-70 zoom lens. Julian finds this lens makes great portraits, and is also useful for landscapes and use in cramped spaces. He likes to photograph hands with this lens.
  • A 100-400 zoom lens. Julian uses this lens to make landscape images of distant mountain scenery. Some people are surprised that a telephoto lens can be used for landscapes, but mountains tend to look more impressive when the depth is compressed. The lens can also pick out interesting details from the landscape. Julian also uses this lens to make panoramas, and to take distant portraits with a compressed background.
  • A 24 tilt-shift lens. Julian finds a tilt-shift lens invaluable for photographing architecture. It gives superior results than taking a picture with a normal lens and using a lens correction filter because you can see the result you are going to get in-camera, and there is is no cropping of the image at the edges. Julian showed some examples of what could be done with this lens: a superb shot of the inside of a cathedral, or a photograph of a statue in front of a temple taken from only a few feet away with all the verticals vertical.
  • A 1.4x extender, which Julian uses to extend the capabilities of the above lenses/
  • A carbon fibre tripod (lightweight for travelling).
  • A polarizer filter and a neutral density filter. Polarizer filters can enhance the sky or remove reflections, and the neutral density filter allows longer exposures.
  • A decent camera bag. Julian explained that most bags are designed to be used in an airport, and it is hard to find a bag that is versatile enough to use on a flight and carry outside.

Julian went on to explain how he plans his travels. He learns about destinations by reading travel magazines and using travel guides for research. He looks at photographs published by other photographers to get an idea of the possibilities. You can follow particular photographers on social media, but you can also follow specific hashtags, such as “#vietnam”, to see all the posts made about a particular place. But he warned us that landscapes are constantly changing. What you see described in a guide or shown in a past photo might not be there any more, so be prepared for the unexpected. He uses the following tools to plan his shots:

  • Google street view can be used to explore a destination virtually, but not all countries allow it.
  • Once Julian has decided on a destination, he uses Google Mind Maps to plan his travel. It can be linked to maps, and the application can be used on a phone to create an itinerary.
  • The Photographer’s Ephemeris can be used to plan your shots and investigate where the light will come from at different times of the day. The PhotoPills application is also a very useful planning tool.

After taking us through the basics, Julian then took us on a journey to Upper Mustang in Nepal, showing us the spectacular landscape images he had take on the trip, the portraits of the people he had met on the way, and his architectural photographs of the towns and temples. Travelling to Upper Mustang was like travelling back in time, with very different norms and customs. He became friends with a local guide who introduced him to interesting people. Julian would often ask permission to take his shots from unusual vantage points, such as the roof of a temple. On his journey through Nepal, Julian needed to climb to some high altitude view points, and on one of these excursions he suffered from serious altitude sickness. Julian told us the story of his treatment and recovery and warned anyone else travelling to Nepal to be aware of the effects of the altitude and not to push themselves too quickly. Julian finished his presentation with a selection of portraits and images of more spectacular temples. It was a very entertaining and enlightening evening.

That was the last club meeting at Fisherrow until the New Year. Next week we will be meeting at the Ravelston House Hotel in Musselburgh for the club’s Christmas social evening.

Steven