15 February 2024 (Audio Visual Evening)

This week we hosted our annual audio visual evening with Beeslack Penicuik Camera Club. Two years ago we had hosted this meeting by Zoom in room G3, but this year we were fully back to normal. Members of both clubs met in room G6 of the Fisherrow Centre and were treated to tea, sandwiches and cakes by Liz Sowler, Ed Robertson and Carol Edmond.

Beeslack began the evening with a beautiful presentation created by Brian Nicolson, made from photographs of woodland scenes in Midlothian paired with inspirational music. Musselburgh then resurrected a presentation made by Steven Beard in 2012 describing his 2008-2009 trip to the Cerro Paranal Observatory Chile to commission the VISTA Infrared Camera. The place had also been used as the secret lair of the villain in the James Bond film Quantum of Solace. The VISTA Infrared Camera was decommissioned in 2023, bringing the story to an end. Beeslack then showed their club presentation which celebrated the “Environs of Penicuik”. It featured a selection photographs from historical monuments and scenic places to visit around Penicuik taken by their club members.

The meeting then changed tack and showed a YouTube video created by Musselburgh member Derek Muller entitled “Getting Started in Screen Printing”. The video showed us how to use a MiSCREEN silk screen printer to transfer an artwork or black and white photograph onto paper, or a T-Shirt, etc… Derek creates his videos with a camera or iPhone and edits them using iMovie. Beeslack then showed a supplement to their club presentation which demonstrated the artistic filters applied by Bill Baird. Photographs of the Midlothian countryside were transformed into artworks before our eyes. This was followed by a short video showing a visit to the Edinburgh Festival Fringe by Musselburgh member Kevin Johnston and then a presentation showing a visit to Alicante, Spain in 2019 by Beeslack member Mike Walby.

The evening finished with three short presentations. Derek Muller showed a video of the waves crashing onto the shore at Portobello beach, which featured some lovely slow motion effects and a passer by who looked like they were going to get soaked but escaped. Then we watched a Beeslack video showing the Fells, Becks and Lakes of the Lake District. Beeslack also chose the perfect presentation on which to close the evening: a celebration of Valentine’s Day created by Gordon Peerless. We finished with a discussion over tea and cakes.

Thank you to Beeslack for visiting and showing their presentations, and thanks again to Liz, Ed and Carol for the catering. Next week Eddie Telford will be returning to give a talk on “Around the World in 80 Images”. See you there.

08 December 2022 (Julian Elliot: Breathless in Nepal)

Our last meeting before Christmas was another joint Zoom talk hosted by Beeslack Penicuik Camera Club and joined by Earlston Camera Club members. Julian Elliot, an award-winning landscape and travel photographer, connected with us from France and gave us a fascinating talk about his experiences. You can find more about Julian on his web site:

https://www.julianelliottphotography.com/profile/

Julian began his talk by describing his kit and explaining his techniques. He normally travels with a Canon DSLR camera plus 6 lenses (3 zoom lenses and 3 tilt/shift lenses), although 90% of his travel photography is made with the following gear:

  • A 24-70 zoom lens. Julian finds this lens makes great portraits, and is also useful for landscapes and use in cramped spaces. He likes to photograph hands with this lens.
  • A 100-400 zoom lens. Julian uses this lens to make landscape images of distant mountain scenery. Some people are surprised that a telephoto lens can be used for landscapes, but mountains tend to look more impressive when the depth is compressed. The lens can also pick out interesting details from the landscape. Julian also uses this lens to make panoramas, and to take distant portraits with a compressed background.
  • A 24 tilt-shift lens. Julian finds a tilt-shift lens invaluable for photographing architecture. It gives superior results than taking a picture with a normal lens and using a lens correction filter because you can see the result you are going to get in-camera, and there is is no cropping of the image at the edges. Julian showed some examples of what could be done with this lens: a superb shot of the inside of a cathedral, or a photograph of a statue in front of a temple taken from only a few feet away with all the verticals vertical.
  • A 1.4x extender, which Julian uses to extend the capabilities of the above lenses/
  • A carbon fibre tripod (lightweight for travelling).
  • A polarizer filter and a neutral density filter. Polarizer filters can enhance the sky or remove reflections, and the neutral density filter allows longer exposures.
  • A decent camera bag. Julian explained that most bags are designed to be used in an airport, and it is hard to find a bag that is versatile enough to use on a flight and carry outside.

Julian went on to explain how he plans his travels. He learns about destinations by reading travel magazines and using travel guides for research. He looks at photographs published by other photographers to get an idea of the possibilities. You can follow particular photographers on social media, but you can also follow specific hashtags, such as “#vietnam”, to see all the posts made about a particular place. But he warned us that landscapes are constantly changing. What you see described in a guide or shown in a past photo might not be there any more, so be prepared for the unexpected. He uses the following tools to plan his shots:

  • Google street view can be used to explore a destination virtually, but not all countries allow it.
  • Once Julian has decided on a destination, he uses Google Mind Maps to plan his travel. It can be linked to maps, and the application can be used on a phone to create an itinerary.
  • The Photographer’s Ephemeris can be used to plan your shots and investigate where the light will come from at different times of the day. The PhotoPills application is also a very useful planning tool.

After taking us through the basics, Julian then took us on a journey to Upper Mustang in Nepal, showing us the spectacular landscape images he had take on the trip, the portraits of the people he had met on the way, and his architectural photographs of the towns and temples. Travelling to Upper Mustang was like travelling back in time, with very different norms and customs. He became friends with a local guide who introduced him to interesting people. Julian would often ask permission to take his shots from unusual vantage points, such as the roof of a temple. On his journey through Nepal, Julian needed to climb to some high altitude view points, and on one of these excursions he suffered from serious altitude sickness. Julian told us the story of his treatment and recovery and warned anyone else travelling to Nepal to be aware of the effects of the altitude and not to push themselves too quickly. Julian finished his presentation with a selection of portraits and images of more spectacular temples. It was a very entertaining and enlightening evening.

That was the last club meeting at Fisherrow until the New Year. Next week we will be meeting at the Ravelston House Hotel in Musselburgh for the club’s Christmas social evening.

Steven