Category Archives: Meeting Blog

A summary of the previous night’s meeting, plus MCC updates.

31 October 2024 (George Robertson: Exploring Kathmandu and the Khumbu Valley)

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This week we were delighted to welcome back George Robertson to the club. George had already entertained us with two previous talks featuring stunning mountain photography:

23 September 2021 (Into the Throne Room of the Mountain Gods)

22 September 2022 (George Robertson: The Snows of Kilimanjaro)

This time George enthralled us with photographs documenting a trek from Kathmandu through the Khumbu Valley to the Mount Everest base camp. George is a member of Milngavie and Bearsden Camera Club and has been running the mountain trekking company Mountaintreks for a number of years. George’s photography had begun from a need to record the experiences of the clients on his mountain adventure treks but had expanded into the fantastic collection of mountain landscapes you can now see on his web site:

George Robertson Photography

The journey begins at Kathmandu, a place full of jumbled, multi-colour buildings and picturesque Buddhist temples. The group then catch a flight to Lukla, perhaps one of the most dangerous airports in the world. All flights to Lukla take place early in the morning to avoid the fierce winds, and the short runway slopes upwards at 12 degrees to help aircraft stop before hitting the concrete wall at the end! From here, the rest of the journey is on foot along a narrow, rocky road dotted with monuments and engraved symbols. Literally everything, from luggage to building materials, is carried down this road either by pack animal (dzo) or on someone’s back. George documents this journey with a series of stunning photographs showing the towns and people encountered on the way and the increasingly stunning views of Mount Everest, Lhotse and Ama Dablam. All of George’s photographs were taken with one camera body and a single 18-200mm lens. He didn’t take a tripod but managed to get some fantastic night shots of the mountains by balancing his camera on a rock. The talk finished with the group’s arrival at the Everest base camp and a series of jaw-dropping photographs of the mountains at sunset. Thank you George for entertaining us yet again and showing us why you have twice won a Landscape Photographer of the year award.

  • Next week’s colour print competition has been moved to 14th November, so will have our members evening on 7th November instead. Please bring along any interesting images or ideas you would like to share with other members. We can also take the opportunity to finish the back and white printing.

17 October 2024 (Digital Projected Images Competition)

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Our first competition of the new season took place this week. David Ferguson, president of Falkirk Camera Club, visited to judge our digital projected images competition. David said when he had first started in photography he owned a Kodak 126 Instamatic camera. He shot and developed his own film and once worked in the photography section at Boots. If your print once came back with a “needs improvement” sticker it’s possible that David put it there. 🙂 You can see David’s more recent work on his web site:

David Ferguson Photography

There were 48 images altogether, entered by 16 members, covering a wide range of subjects, including wildlife, landscape, sport, portrait and architecture shots, and some really imaginative still life creations. David commented on the high quality of the entries, which meant there were a lot of high marks. Each image was assessed on its exposure, sharpness and composition, and David suggested changes in the cropping or spacing that may improve the impact of some of the images; although he pointed out this was his own opinion, and other viewers may see things differently. Some images could be improved by lifting the shadows, adjusting the contrast or converting them to black and white. Some studio shots could have been improved by adjusting the lighting to bring out more facial detail or reduce blemishes. Notable images were a paperclip figure beach scene (At the Beach) submitted by John West, which none of us could figure out how it was done. There was also an innovative back of the head shot (Leading the Way) created by new member Melanie Gallacher, which broke all the rules but worked and secured a maximum 20 points. The top scorers were (in reverse order):

  • 5th place (53 points)
    • John West
  • 4th place (54 points)
    • Joe Fowler
    • Jennifer Davidson
    • Melanie Gallacher
  • 3rd place (55 points)
    • Mike Clark
    • Carol Edmund
    • Derek Muller
  • 2nd place (58 points)
    • George Todd
  • 1st place (59 points)
    • Malcolm Roberts

There were many top images:

  • Place Your Bets (Joe Fowler) – 20 points
  • Nuthatch (Malcolm Roberts) – 20 points
  • Tap Dance (Malcolm Roberts) – 20 points
  • Battling the Rapids (George Todd) – 20 points
  • Hi There (Carol Edmond) – 20 points
  • Leading the Way (Melanie Gallacher) – 20 points
  • Caught in the Middle (Malcolm Roberts) – 19 points
  • Osprey With Catch (George Todd) – 19 points
  • Ferrier Working in the Smiddy (George Todd) – 19 points
  • Braving the Rapids (Mike Clark) – 19 points
  • Strong Competition (Derek Muller) – 19 points
  • Carriage Driving (Jennifer Davidson) – 19 points

Well done to Malcolm Roberts for winning with a fantastic 59/60 points! Thank you David for judging our competition, and thank you to everyone who entered.

Next week, 24th October, we will be having a review of this competition. Please have a go at making the changes suggested by David and bring in your edited images. We can also discuss how to “lift the shadows” or “bring out the sky”, or any other adjustments mentioned. Perhaps John could tell us how he created his beach scene? Besides working on your own images, what were your favourite images of the evening?

10 October 2024 (Indoor Photoshoot)

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This year’s indoor photoshoot was based on an idea by Derek Muller, inspired by a video on toy photography:

John, Steven, Jennifer, Joe and Liz brought in examples of their home studio setups, while members were asked to bring in small toys, vases, flowers, mirrors, rocks, shells, glass decorations, and other interesting things to photograph.

  • John West brought in his photo studio tent and his collection of paperclip figures. He also showed us examples of how he sets up his studio at home with LED lights and a curved piece of card to make an infinity curve.
  • Steven Beard brought in his small portable light box, which has built in LED lamps and a selection of coloured backgrounds, a dimmable LED torch and a glass globe. He also brought a selection of close-up lenses, which can be used as an alternative to a macro lens. In particular, the budget lenses can distort the edges of the frame and mimic the effect of the lenses shown in the “toy photography” video.
  • Jennifer Davidson brought a lined box with backdrops, torches and lights, together with a large selection of flowers and objet d’art.
  • Joe brought in some objects which cast shadows and showed how the plain white wall of the room could be used a backdrop to create some stark-looking images. Steven’s torch turned out to be useful for casting the shadows.
  • Liz Sowler showed how you can make a simple, home-made light tent out of a laundry drier covered with a sheet. Objects placed inside the tent could be lit with torches shining through the entrance. Liz had brought a glass eagle which we discovered looked best when lit just by the ambient light.

All in all, it was a very enjoyable evening. I hope our members have had the opportunity to learn from the different setups and take home a good selection of still life images.

  • Next week we have our first competition of the year. David Ferguson will be visiting us to judge our Digital Projected Images competition.
  • Next week is also the hand-in date for entries to the colour print competition. Please bring in 3 mounted prints and give them to George. Don’t forget to send JPEG copies of your 3 images to George as well.

19 September 2024 (Fiona Brims: My Journey into Creative Portraiture)

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This week we were delighted to welcome our first speaker of the year, Fiona Brims. Fiona’s work can be found on her web site, where you can also sign up to her workshops:

https://www.fionabrimsphotography.co.uk/

Fiona described her journey into creative portraiture, which she defined as the creation of an image that is not a normal portrait, such as an unusual situation, an unusual location or an unusual prop. Fiona began by showing us her very first images from a photoshoot at an old paper mill in Bo’ness, where the idea was to shoot a bride in an unusual situation. Although it was a great idea, Fiona bravely pointed out all the mistakes she had made as a beginner:

  • There was insufficient attention to the lighting, which meant the models often had harsh shadows across their faces and no catch-lights in their eyes. Fiona had used a Weetabix packet with tracing paper as a soft box, but she could have used another light or a reflector to light the faces. She also pointed out that every pose needed careful light placement. It wasn’t sufficient to place lights on each side of the model and leave them there.
  • Always remember to iron the outfits before using them, as a photograph will reveal all the creases. Also, remember that a strongly coloured outfit could reflect light on the same colour onto the model’s face. Be prepared to correct the colour or cancel it with another light.
  • Don’t overdo your corrections in Photoshop, as they can make a portrait look unnatural. Less is more.
  • The model’s pose, expression, location and props need to make sense to the viewer. They need to tell a story, although each viewer might make up their own story.

The next set of images showed how Fiona had learned from her mistakes and improved. There were some outdoor shots at Bo’ness Railway Museum and St. Peter’s Seminary (which was a great place for graffiti but is now unsafe to access). [Note: The A1 tunnel at Newcraighall is closer to Musselburgh and easier to access for graffiti.] Fiona moved on from outdoor shots to renting a real studio, and moved on from photographing friends to photographing models. Moving on to professional models and professional make-up makes a big difference in quality, but it also costs more money. Fiona emphasised that you’ll need money to pay for the studio, the model, the make-up, the outfits, the props and the backdrop. But you can save money by looking for second hand bargains, for example buy your props from ebay, or look for outfits in charity shops. Remnant Kings is a good place to find material for backgrounds. If you want to try studio portraiture, you can join an organised model day, where a studio will rent hourly slots with a professional model.

Fiona finished by showing us a collection of stunningly good portraits that she had taken recently. Her journey into creative portraiture had been a learning experience, but it had lead to a flurry of creativity. See for yourself at her creative portrait gallery. Thank you Fiona for enlightening us.

  • Next Thursday we have a Members Evening. Please bring along any images you would like to share with other members. I expect we’ll see a lot of images from the Battle of Prestonpans, which happened at the weekend.

12 September 2024 (Bring in your Kit)

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This week members brought in their cameras, plus other pieces of interesting and thought-provoking kit. Most members were divided into Nikon and Canon camps, but I also noticed some Sony and Panasonic cameras. George Todd pointed out that the club has a Sony DLSR camera which members are welcome to borrow if they don’t have a DSLR camera of their own. The evening was an opportunity for members to discuss kit and help newcomers and beginners with any questions they might have. There is an opportunity for beginners to pair up with more experienced members who have the same kit.

Some members showed some unusual or particularly useful equipment that you might not know about.

  • Steven showed the oldest camera he owned, a Russian Zenit TTL film camera, only to discover this model is apparently the “new fangled” version which has a light meter built into it. The beauty of this camera is that the shutter works by clockwork, so the camera can be operated without a battery. You could lock the shutter open for hours without worrying about the battery running out.
  • Steven also showed his “Wimberley Plamp“: A useful device which can be attached to a tripod to prevent a specimen from moving in the wind.
  • Steven also showed his smallest and most unusual Nikon lens, a pinhole! Pinhole lenses are made by making a small hole in a sheet of thin metal attached to a plate which fits to the camera. You can buy one for your camera or you can make one yourself by drilling a hole in a blanking plate, covering the hole with aluminium foil and making a pinhole in it. Pinhole lenses give your photos a blurry but arty appearance with a huge depth of field.
  • By contrast, Mike showed us his largest Nikon lens and, in particular, the gimbal tripod head which he used during the air show. A gimbal head takes the weight of a large lens and, when balanced correctly, can hold it steady and make it easier to follow moving objects. It is very helpful for wildlife, aviation and sport photography where your subject is moving.
  • Mike also showed us the sling strap he uses to carry his large lens, which takes the weight of the lens but give some freedom of movement.
  • John showed us the clever thumb rest which attaches to the hot shoe on the top of his compact camera and prevents his thumb from accidentally touching any controls while shooting. Here is one example: https://www.bhphotovideo.com/c/product/1032640-REG/fotodiox_thumb_grip_b_pro_thumb_grip_for.html
  • There was a discussion about using the rear screen of a camera as a viewfinder. It is easy enough to see the screen in a darkened room, but the screen can be difficult to see in bright daylight. You can buy sun hoods which fit over the screen and make it easier to see. Some of these hoods also include magnifiers which make the display easier to read. Here are some examples: https://www.bhphotovideo.com/c/buy/LCD-Hoods-Shades/ci/4968/N/3777857691

George showed us the 6 images that will be given to members for the editing challenge on 3rd October. Please contact George if you would like a copy of the images. Select 2 of the images and show us how you have changed them.

George is also accepting entries to our Digital Projected Images competition. Please email your 3 JPEG images to George at georgetodd1957@me.com. Images should be scaled to a maximum size of 1600 pixels wide and 1200 pixels tall. George can help if you don’t know how to do this. We had a discussion about the DPI (dots per inch) setting associated with an image, but you don’t need to worry about this as it is only important when printing.

There was going to be a “Strike a Pose” photoshoot this weekend, but this is being postponed because the organiser is ill. Get well soon. We’ll let you know when it is rescheduled.

Next week we have our first speaker of the year. Fiona Brims will tell us about her journey into creative portraiture. You can check out Fiona’s web site here:

https://www.fionabrimsphotography.co.uk/

Perhaps she will give us some inspiration for the rescheduled “Strike a Pose” session? See you there.

05 September 2024 (Opening Night)

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The 2024-2025 season is now well underway. I would like to welcome all the potential new members who came along to try us out. If you entered your email address on the club home page you should receive these blog entries that describe our meetings. You can also follow group activities by joining our member-only Facebook group: https://www.facebook.com/groups/25703565185901411. Ask Elaine Gilroy or Charlie Baird for an invitation.

You will find our 2024-2025 programme of activities on the club website:
https://musselburghcameraclub.org.uk/programme-2024-2025/ There will also be regular outings and photoshoots not mentioned in that programme, so keep watching our Facebook group. Ed, the club secretary will also notify members of events by email, in case you don’t use Facebook.

The club web site contains a collection of tutorials on photography that our chair has added over the years:
https://musselburghcameraclub.org.uk/introduction-to-photography-presentations/

Here is a list of interesting events that could present photographic opportunities in the next few weeks:

Information on how to enter the club competitions can be found here (or you can just ask George Todd, our competition secretary). Competition images are normally emailed to George at georgetodd1957@me.com:

Competition Information
An introduction to the club competitions

I look forward to another year of exciting photographic activities.

25 April 2024 (AGM and Presentation of Trophies)

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The 2023/24 Musselburgh Camera Club season ended on 25th April 2024 with the AGM and the presentation of trophies. We discussed the upcoming programme for 2024-25, which John West has packed with more speakers and special events. We are planning a series of monthly photoshoots through the year, so watch out for notifications or check our activities page. The club now has a private Facebook page which members can join to be notified about events and to chat during the summer while we are not meeting at Fisherrow. Click the link below to request to join (you’ll need a Facebook account):

https://m.facebook.com/groups/25703565185901411

Members had an opportunity during the evening to suggest and vote for the topics for next year’s set subject competitions. The top results were:

  1. Buildings
  2. Distorted
  3. Cycling

which become the themes for set subjects 1, 2 and 3. We decided that the knockout will be open to all images next year.

The AGM finished with a presentation of trophies and medals and with a selection of snacks and refreshments provided by Jennifer Davidson and Liz Sowler, who received the club’s “Golden Teapot” award. The full list of trophy and medal winners can be found on the following page:

Trophy Winners – 2023/2024

Although the 2023/24 season has come to an end, the club’s exhibition will be touring local libraries during the summer. This year we also have an exhibition at Cockenzie House. Here is the timetable and list of volunteers.

Thank you to everyone who volunteered. Our first meeting of the 2023/24 season will be on Thursday, 5th September 2024. But in the meantime I hope to see you at some of our summer photoshoots.

All the best,

Steven Beard

11 April 2024 (International ZOOM Speakers)

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On 11th April we were delighted to have 3 international speakers who joined us from Sweden and the Netherlands.

First up was Denise van der Boom who provided a bird’s eye view using drones to capture images from the sky. Denise has a very practical reason for favouring drone photography due to mobility issues. The drones do provide a great tool for getting compositions and locations that just would not work on foot. Members might recall Eddie Telford telling us back in February than he often waded into a river to get best shots. Denise gets similar shots without getting wet by hovering her drone over the water. The legalities of drone flight were mentioned (similar to UK rules) along with a brief comparison of a few different models. The small size and low weight of the DJI mini 4 meant that it could be taken on holidays as well as providing that unusual bird’s eye view of her homeland. While the novelty of the different views afforded by drones is interesting, there is still the need for a good composition. Abstract images of tulip fields full of coloured strips of flowers to the astonishing aqueduct that confused the senses, rainbows in agricultural watering systems and fine historic buildings all benefitted from the unusual viewpoint. Denise’s work can be seen at https://www.flickr.com/photos/denisevanderboom/

Hans van der Boom followed with a great 10 tips for “Photographing flowers in soft focus” using his own shots to illustrate his points (some of which may be found at https://www.flickr.com/photos/hansvanderboom/).

  • Use a Macro lens or adapters
  • Accessorise – mat to lie on, lights, plamps, clothes pegs, crinkled tin foil and, surprisingly, dog poo bags – the packs with various colours!
  • Use a BIG aperture, you don’t want all of the detail of a pin sharp image.
  • Make use of “out of focus” areas, to simplify your image.
  • Know your subject – go out with certain “in season” flowers in mind. An online Flowering Calendar could give an idea about what flowers might be currently available.
  • Pay attention to composition and space within the image. Using a low viewpoint (using a bean bag, or even a polystyrene bean bag for weight reduction) can keep the image simpler. The space around the subject is out of focus and this minimises clutter. Less is more!
  • Use of Light, avoiding harsh light and dark shadows. The use of a white umbrella can be used to diffuse light
  • Experiment – Christmas lights (battery operated LEDs) in front of or behind the subject. Use crinkled aluminium foil or glitter boards. Use a plant mister for a few dew drops. Place anything in the out of focus areas to simplify them. Reflectors can also be useful.
  • Bokeh and light bubbles are easier to achieve when shooting low to high.
  • Post Processing – add a little brightness and saturation, combine techniques. Moderation makes the master.

Hans also suggested shooting in raw and keeping ISO low to minimise digital noise. He also suggested that double or multiple exposure could be useful. Attaching the coloured dog poo bags, or sandwich bags etc to the lens hood with a clothes peg is a good way to fill the out of focus areas. Hans suggested that folks should look at the work of Bob Daalder for some inspiration.
https://www.instagram.com/bobdaalder/
https://4tinyhands.com/macro-photography-with-bob-daalder/

The evening was brought to a close by Helen Lunden, who many know from her time in Scotland and who is now a member of Mölnlycke Fotoklubb, Gothenburg, Sweden. Helen presented her work on images produced using Intentional Camera Movement (ICM). This was sparked by her attendance at a course in Dumfries and Galloway run by Morag Paterson and Ted Leeming. Helen covered the Why and How of ICM along with what equipment was needed along with examples and inspiration. The equipment used does not have to be special, in fact because the finished result is rarely pin sharp, older or less sophisticated kit can work out fine. Helen often uses an older Olympus EM10 and a mixture of lenses and ND filters.

How? Move the camera during the (long) exposure. An exposure of 1/8th of a second is often enough, and Neutral Density filters can help here. The camera is moved horizontally, vertically, spun, etc. You won’t know what you will get until the photo is taken. Multiple exposure can add to the finished result with perhaps multiple ICM images or 1 ICM image and a sharp image combined. Helen prefers to achieve the result in-camera with only subtle increase in contrast and saturation carried out afterwards. Her method is to “take lots of shots and delete what you don’t like”. While vertical movements are often used for trees and horizontal for landscapes, you can always add in other movements or shapes. An advantage of the technique is that it can work indoors or out, in pretty much any lighting conditions and even macro can be effective. People photos can provide a ghostly effect.

Helen’s recent projects include The Swedish West Coast (ghostly images), Dark & Light (quite moody) and Light & Harmony (quite fresh). It is very interesting to see things in the final images that have been introduced by the working method, the results can be striking. Helen was keen to encourage more photographers to have a go at ICM to see what they could produce. Helen Lunden’s images are on show at…
https://helunhelun7.wixsite.com/helensfoto
and she talked about the work of several other photographers who champion ICM images including…

along with the ICM PhotoMag Network run by

The ICM PhotoMag can be found on Facebook: https://www.facebook.com/ICMPhotoMag/

An interesting international evening highlighting aspects of photography that are not often discussed at Fisherrow.

  • This Thursday (18th April 2024) we will be having a “Studio Lighting Fun Workshop” at the Fisherrow Centre at our usual time of 7pm. Bring your camera or phone and come along to experiment and have fun.

21 March 2024 (Set Subject Competition C – Flowers)

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Thursday saw the conclusion of our 3-part set subject competition. The third part on the theme of “Flowers” was judged by Gordon Davidson, who had won last year’s competition. 11 members had entered 33 images altogether, with a wide selection of floral images ranging from wide shots of entire flower beds to portraits of a single specimen, including a Karen Woodcock’s “Happy Wee Poppy” that looked like it was smiling. Gordon commented on the detail and composition of each image. Some images had lost detail through a slightly offset focus or too little resolution. It is easy to over-exposed a flower when brightly lit, and some images had lost detail in their highlights. Gordon also pointed out some blobs and halos that he found distracting in the background. Nevertheless, Gordon liked most of the images, which meant there were a lot of high marks. The top scorers were (in reverse order):

  • 5th place (50 points)
    • Joe Fowler
  • 4th place (51 points)
    • Gavin Marshall
    • Jim Innes
  • 3rd place (54 points)
    • Steven Beard
    • Derek Muller
  • 2nd place (56 points)
    • John West
  • 1st place (57 points)
    • Jennifer Davidson

The top images were:

  • Red Roses (John West) – 20 points
  • Let us out! (Jennifer Davidson) – 19 points
  • Blue Lily Head (Jennifer Davidson) – 19 points
  • Pink Daisy (Jennifer Davidson) – 19 points
  • Dandelion (Steven Beard) – 19 points
  • Yellow Lily (John West) – 19 points
  • Pink Rose (Carol Edmond) – 19 points
  • Backlit Sunflower (Derek Muller) – 19 points
  • Purple Plant (Joe Fowler) – 18 points
  • Frosty Rose (Joe Fowler) – 18 points
  • Red Dahlia (Steven Beard) – 18 points
  • Turkscap Lily (Elaine Gilroy) – 18 points
  • Tulip Fields (Jim Innes) – 18 points
  • Thistle From Above (Derek Muller) – 18 points

Well done to Jennifer Davidson, who wins the right to judge next year’s competition. Also well done to John West, whose image of red roses achieved the highest mark. The latest scores have evened up the league table, making the final result close, but after consulting the final spreadsheet I can reveal that the final result from all three competitions is:

  • 1st place
    • Jennifer Davidson (53 + 57 = 110)
  • 2nd place
    • John West (50 + 56 = 106)
  • 3rd place
    • Steven Beard (51 + 54 = 105)
    • Elaine Gilroy (51 + 54 = 105)
    • Derek Muller (51 + 54 = 105)
  • 4th place
    • Carol Edmond (54 + 50 = 104)
  • 5th place
    • Joe Fowler (52 + 50 = 102)

Well done to Jennifer for winning the trophy, and thank you to all the members who entered some beautiful images this year.

  • This is the last competition of the season, and George needs to engrave the trophies for the AGM. If you won a trophy last year please return it to George as soon as possible.
  • This coming Thursday we will be hosting Musselburgh Art Club and will be meeting in the upstairs room F1 in the Fisherrow Centre.
  • The season is drawing to close, and we need to decide where to go for our end of season photoshoot on 18th April 2024. Please think of ideas for where we could go and let me have your ideas. I have already had the following suggestions:
    • Meet in Edinburgh for sunset and street lighting pictures.
    • Meet at a local nature reserve, such as Aberlady Bay.
    • Switch the date to Saturday, 20th April 2024, so we can meet earlier when there is more daylight. That would also open up local sites which close before 7pm, such as Dalkeith Country Park and the Gosford House Estate.

 

19 March 2024 (3-Way Inter-club Competition)

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There was an extra club meeting this week. On Tuesday, 19th March Musselburgh Camera Club visited Haddington Camera Club to take part in the annual 3-way competition, along with Beeslack Penicuik Camera Club. The meeting took place at the Poldrate Mill, Haddington, where we were treated to a lavish spread of sandwiches and cakes.

The competition was judged by Gordon Scott of Mid Calder Camera Club. Each club submitted 15 images each, making a total of 45 images. Musselburgh got off onto a good start and were 1 point ahead after the first round. We maintained that narrow lead and by the break had 134 points to Beeslack’s 133 and Haddington’s 130. We kept our lead through the second half. In the final round Haddington sneaked ahead of Beeslack, but Mike Clark’s “White Mountain Hare in the Heather” secured top marks and guaranteed a good win for Musselburgh. The final scores were:

  • First place (252 points) Musselburgh Camera Club
  • Second place (244 points) Haddington Camera Club
  • Third place (243 points) Beeslack Penicuik Camera Club

The top Musselburgh images were:

  • White Mountain Hare in the Heather (Mike Clark)  – 20 points
  • Woodpecker feeding (Joe Fowler) – 19 points
  • Harvest Queen (Joe Fowler) – 19 points
  • Sea Eagle with Catch (Mike Clark) – 19 points
  • Hunting Sparrowhawk (Jennifer Davidson)  – 18 points

Well done to Musselburgh Camera Club for a great win, and thank you to Mike, Joe and Jennifer for helping us to achieve that win.

  • This Thursday, 28th March, we have our joint meeting with Musselburgh Art Club. We will be meeting in room F1 in the Fisherrow Centre, not our usual room. To reach that room you need to go upstairs and follow the signs to F1. Come along and see what the art club members have created this year.